Joni Mitchell has long made her disgust for the music industry plain. For nearly a decade, she was content to mostly sit it out and express her creativity through her paintings and fine art and collaborations with a ballet company. Occasionally, she would venture into the recording studio for an album of standards or one of re-imaginings of her own vast catalog of classics.
On "Shine," Mitchell sometimes sounds like a beloved older relative, embittered and interesting but sometimes tough to listen to without feeling like you're being lectured.
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